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Chris
Lewis was born and raised in the scenically deficient Florida panhandle,
in a small farm town nowhere near the beach. She received her BS
degree from Florida State University in Art Education in 1972. Having
no interest in teaching, she moved to Atlanta soon after graduation
to pursue a career in Illustration. After two relatively short stints
as an art director, first at Turner Outdoor, and then at Weltin
Advertising, she became a freelance illustrator. During her fourteen
year career she enjoyed national and regional clients ranging from
Fisher Price Toys to Equifax, and advertised her work in national
publications. In the early 80’s she married John Johnson,
the man of her dreams, and had two sons, Hayes and Drew. Eventually
her intense freelance career collided with childrearing, and she
decided to take the lowest paying most under-appreciated job of
her life by becoming president of her own home management team.
As her children have become self sufficient, she has embarked on
an exciting new adventure as a sculpture artist working in clay.
Working in clay was a natural outgrowth for me from advertising
illustration. Although both professions are outlets for creative
expression, illustration involves limits inherent in the need to
sell a product, whereas working with clay allows me to explore personal
objectives.
I
have always been fascinated by people, so my work is usually figurative,
and involves some exploration of human emotion. Faces, especially
those hidden by masks, or figures that seem to be one thing but
upon deeper investigation, appear to be something else, are the
main subjects of my sculpture.
My pieces are handbuilt using slab, coil, or pinchpot construction.
I enjoy the process of manipulating the wet clay to shape the form,
then creating texture, and accentuating the finished product with
layers of color. Sometimes I incorporate other media such as a stick,
a feather, a bead. I often do multiple firings both high and low,
atmospheric and electric, incorporating a variety of clays and surface
treatments ranging from commercial glazes and underglazes to oxides
and slips.
EXHIBITIONS:
2001:
“Origins,” Barbara Archer Gallery, Atlanta
2002: “Thrive,” Georgia Perimeter College, Atlanta
2003: “Shadows: Interrupted Light,” Genema Gallery,
Atlanta
“Not Just Another Pretty Face,” Fine Arts Gallery Seminole
Community College, Sanford Florida (Second Place Award)
“Emergence,” Fine Arts Gallery Kennesaw State University
2004: “Infusion,” The Defoor Center
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